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Creative Black and White: Digital Photography Tips and Techniques
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Amazon.com Review
Black-and-white photography poses unique challenges; without color to guide the eye, contrast, lighting, and composition take on even more importance. Renowned photographer Harold Davis explains these elements and demonstrates the basic rules of black and white photography as well as when and how to break them. He breaks through the complexity of this photographic medium, explores opportunities for black-and-white imagery, and shows how to capitalize on every one. Richly illustrated with the author's own images, this beautiful guide presents the skills needed for great black-and-white photos while encouraging your confidence and creativity. Goes beyond basics to teach photographers how to conquer the challenges posed by black-and-white photography Appeals to professionals and serious amateurs who are interested in exploring creative black-and-white imagery Presents photography fundamentals and shows how black and white requires some of the rules to be bent Encourages creative thinking and confidence Lavishly illustrated with Harold Davis's outstanding monochromatic photos Whether you're a professional just venturing into black and white or a serious amateur, Creative Black & White will both educate and inspire you. Black-and-White Photography Tips from Author Harold Davis Black-and-White Photography Tips Photos by Harold Davis Tips for Seeing in Black and White [PDF]
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Review
"Harold Davis's Creative Photography series is a great way to start a photography library"---PhotoFidelity
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Product details
Paperback: 240 pages
Publisher: Wiley; 1 edition (May 10, 2010)
Language: English
ISBN-10: 0470597755
ISBN-13: 978-0470597750
Product Dimensions:
7.4 x 0.7 x 9.2 inches
Shipping Weight: 1.4 pounds
Average Customer Review:
4.5 out of 5 stars
76 customer reviews
Amazon Best Sellers Rank:
#819,483 in Books (See Top 100 in Books)
As I recently noted in my review of another Black and White digital book by Michael Freeman, I am not a huge fan of the "stars" method of review. I think this is a book that is worth the price for any photographer who (like I do) likes to learn by reading and likes to "get under the hood" a little bit, and wants to work with Black and White digital processing of their images.Much like the Freeman book, this book is divided into 3 major sections. Freeman goes into some detail about B&W photography history comparing film to digital capture. Davis, instead, uses his first section more as a "philosophy of B&W shooting" piece. Both are well done, but different. The second two sections in both books are similar, going first into the actual process of B&W conversion and processing, and then giving some creative advice, example and perhaps motivation.I thought the first section in Davis' book could be thinned by about 2/3. It just seems to repeat itself, and repeat itself. But then, maybe I just don't "get" it. He also has a tendency toward "flowery" language. At times it may be a bit overdone, and at least for me, I found myself noticing it, instead of the straightforward information it was trying to impart. But we all speak and write our own way - and to each his own. None of the criticism here should, in my opinion, deter a purchaser. This is a very good addition to my own library, and I learned (and will no doubt continue to learn) a lot from it.Once you get into the second section - which is really the meat of the book, the learning ramps up. Davis does a great job - almost in a "cookbook" formula, of illustrating a number of ways to handle B&W conversion, along with the whys and hows. He gives - in most instances - a step by step explanation of how he does the processing (mostly in Photoshop) with enough information to see and accomplish the result, without getting into an "in-the-weeds" tutorial on Photoshop. I like that. I will get, as he recommends, my Photoshop basics from other sources.I recommend this book and think it is well worth the price.
I've worked with computers for 25 years. I had no interest in digital photography. I've been through it all before - upgrades of both software and hardware, trying to keep current on new features you probably will never need, etc. I figured it would be the same with Photoshop and digicams...and it has been. Plus, I have a traditional darkroom and 40 years experience with film ...and all my film cameras are paid for! However, I started reading Mr. Davis' blog. He talked about the unique possibilities with digital B&W that are much different from traditional photography. I've corresponded with him several times. He's well aware that a lot of us cannot justify upgrading hardware and software every 18 months. Thus, in many ways, his book is a reference manual. It deals with new ways to apply core functions of Photoshop, and many techniques are cross referenced in the book. I have CS2, which is about the oldest version I would use, since Mr. Davis strongly advocates shooting in RAW and uses ACR extensively. I have been pleasantly surprised at how valuable this book has become to me in a short period of time. For example, the chart on page 68 was quite helpful to me. With anything digital, you can "process it" for days, trying for perfection. The chart indicates levels of digital B&W. Sometimes, you may want "gallery quality;" with other shots the "quick and dirty" approach is just fine. It's all in this book. It's the single best book on my type of digital photography I've found. It's a wonderful book, just to browse. The printing and layout are of the highest quality, and Mr. Davis' photos are stunning. The techniques Mr. Davis suggests are illustrated with complete step-by-step instructions. As long as film is manufactured, that is what I will shoot. However, scanning negatives and trying out some "Photoshop Magic" is starting to make photography fun again. If you are just beginning with Photoshop, this book will be somewhat intimidating. Still, it was all new to me, and I find it's now an essential reference after about six months. In summary - this has been a great book for an old film guy. If you are interested in producing wonderful digital B&W prints, this book is the one for you.
I had seen Davis' videos on youTube, and was very impressed by him. I bought a couple of his books initially, and then several others so that I now have 9 of them. Each one, so far, is excellent--it is taking me longer than I expected to read them because there is so much information to absorb. If you want to learn whatever the subject matter of the book is, from the concepts behind the subject (night photography, lighting, etc.) planning for the picture (e.g., the use of lightboxes to create translucent pictures), to the detailed post-processing of them in Photoshop or equivalent, you will not be disappointed--at least, I haven't.One of the particularly great things about this book, specifically, is that it really helped me understand what photographs are good candidates for B&W conversion, as well as how to start seeing the world in terms of light and dark tones.
Many practical insights on how to compose and edit black and white images. While desaturation can yield black and white images good images require much more than that starting with a good composition, proceeding by tonal and color balances before making it monochrome. The author provides many insights on how to make interesting black and white images. For me at least Black and white while not necessarily better than color is different and just as complex.
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